The poems in this section of the exhibition challenge our linear methods of reading. Where does one end? Courtesy Augusto de Campos. The crucial role of sound in concrete poetry can best be appreciated by pairing visual poems with audio recordings by native speakers of the language in which a poem was written. Concrete poems—referred to by the Brazilian Noigandres poets as verbivocovisual— were intended to be multi-sensory experiences. The Getty Research Institute, B Along with the Spanish artist Julio Plaza, Augusto de Campos created and published a set of pop-up object-poems called Poemobiles.
Open , first produced in , consists of the words open , reopen , close , and half , along with blue , yellow , and red. A companion Portuguese version entitled Abre also belongs to the series.
The 20 three-dimensional poems in this section of the exhibition are meant to be opened and closed, rearranged to reveal or obscure language, and even to be viewed in the round. Screen print. Publisher: Tarasque Press, Getty Research Institute, Poetry for Teens.
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