So what are countries where users talk the most about K-pop on Twitter with the hashtag KpopTwitter? With a new record for number of tweets with the hashtag KpopTwitter, the Korean pop fan community is powerful on the social network. Twitter revealed on its blog the top 20 countries where fans talk about their passion online the most and those with the largest number of fans on Twitter.
In , Indonesia was already dominating the top 20 countries where people were talking about this kind of music on Twitter. The Philippines gained two places at the expense of Thailand, which dropped to third place, thus making South Korea fall off the podium!
However, little changes in the top 20 in terms of the countries with the largest number of K-pop fans on Twitter. While Indonesia remains the country with the most Korean pop fans, Japan nearly catches up with second place while France gains two places to reach 14th. Concerning the most mentioned artists, it is no surprise that the legendary group BTS takes first place, which it already held in , followed by NCT and female group Blackpink.
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It is a Hip Hop and R and B genre. It is a type of music from South Korea that is becoming more and more popular worldwide. K-pop is known to offer a variety of talent in its industry. It is also known for its well-made Music videos and choreographies. Idols in this industry are very talented and charming. Every year thousands of candidates attend global auditions held by Korean entertainment agencies.
They have to pass the audition and then spend years of training to develop and improve skills Singing, dancing, and rapping before debuting to become the best artists.
They are also trained to perform on stage in front of an audience with a perfect idol personality. The trainees can debut as soloists, in duos or trios. They can also debut in groups, and the number of members can range from 4 to India is a vast country like China, so it is divided into two regions.
The first part is the mainland India, and the second part is the North-east of India. According to the recent survey, only The popularity of K-pop in India started mainly from , as many groups became famous after their debut. People in India began to recognize them and following them by listening to their music.
They also started making dance covers and started performing on events like the K-pop Contest India. People from all over the world started recognizing them as one of the most leading K-pop groups.
Other K-pop groups like EXO. Mainland India is divided into two parts: the Northern region and the southern region. In the Northern region, they already have Bollywood, a large entertainment source for the people in India. Save statistic in. XLS format. PNG format. PDF format. Show details about this statistic. Exclusive Premium functionality. Register in seconds and access exclusive features.
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The most important statistics. Further related statistics. As Moonrok editor Hannah Waitt points out in her excellent series on the history of K-pop, K-pop is unusual as a genre because it has a definitive start date, thanks to a band called Seo Taiji and Boys. After the band broke up, he turned to hip-hop and recruited two stellar South Korean dancers, Yang Hyun-suk and Lee Juno, to join him as backups in a group dubbed Seo Taiji and Boys.
Not only did the Boys not win the talent show, but the judges gave the band the lowest score of the evening. Seo Taiji and Boys were innovators who challenged norms around musical styles, song topics, fashion, and censorship.
They sang about teen angst and the social pressure to succeed within a grueling education system, and insisted on creating their own music and writing their own songs outside of the manufactured network environment. Together, these studios began deliberately cultivating what would become known as idol groups.
All the while, K-pop as a whole was building its own brand, one based on flash, style, and a whole lot of quality. Through highly competitive auditions, starting around ages 10 to 12, music studios induct talented children into the K-pop regimen. The children attend special schools where they take specialized singing and dancing lessons ; they learn how to moderate their public behavior and prepare for life as a pop star; they spend hours in daily rehearsals and perform in weekend music shows as well as special group performances.
Because of the control they exert over their artists, South Korean music studios are directly responsible for shaping the global image of K-pop as a genre.
The studios are also a breeding ground for predatory behavior and harassment from studio executives. In recent years, increasing public attention to these problems has given rise to change; in , multiple studios agreed to significant contract reform.
Still, as the recent suicide of Shinee artist Kim Jong-hyun revealed, the pressures of studio culture are rarely made public and can take a serious toll on those who grow up within the system. Despite all this, the cloistered life of a K-pop star is coveted by thousands of South Korean teens and preteens — so much so that walk-in auditions to scout kids for the studio programs are frequently held in South Korea and New York.
In addition to studio auditions, a wave of new TV audition shows have sprung up in the past few years, giving unknowns a chance to be discovered and build a fan base. Often called idol shows or survival shows, these audition shows are comparable to American Idol and X-Factor. The band only has a seven-month contract; enjoy it while it lasts!
These TV-sponsored idol shows have caused pushback from the studios, which see them as producing immature talent — and, of course, cutting into studio profits. Today there are numerous talent shows, along with many more variety shows and well-known chart TV countdown shows like Inkigayo and M Countdown, which factor into how successful — and therefore bankable — a K-pop idol or idol group is seen to be.
Winning a weekend music show or weekly chart countdown remains one of the highest honors an artist or musical group can attain in the South Korean music industry.
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